BandCamp
Mirlo
And it is finally out! This album has been in the works for several months, while I decided which songs to put in
and which ones to put out. To re-record them as back in the day I didn’t multitrack my performances, losing precious
recordings of my improvisations for later edits. This album also has a foreword by T. William Sinclair and the cover
art is made by Brad Ross-MacLeod in a show that collaborating, always is best and embellishes the result far more
than any technical prowess. Together we are stronger. Let me paraphrase Sinclair’s foreword so you know what you’re
getting into with this album.
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BandCamp
This album came from inside of me, flowed from the fingertips to the guitars and synths.
Recorded while playing it live at my radio show on the 11th of February. Then edited,
produced, mixed and mastered later in the next week and a half. I was truly inspired,
there was something that needed to be out. Some people enjoyed it raw, now you get the
refined product of it.
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BandCamp
So finally got this one out. A very personal album, almost like
a soundtrack to the story of my ‘sona, Southwind. In these 14
tracks you can follow her life since a little child up to
finally learning about herself and accepting her despite the
rejection of the world around.
It is also a chant to the love for the cosmos, the space, what’s
beyond, to explore it, is to explore ourselves too. As Carl Sagan
said once “We are the cosmos learning about itself”.
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Hello folks!
Revamped the site here a bit and I’m happy to announce that my new single
“Sunday Morning Meditation Improvisation” is now out to listen at all major
digital streaming platforms and at BandCamp too up for grabs!
It was an impromptu, meditative sessionn of 25 minutes, recorded live as I
covered for the great Tony Gerber for his morning show “Sunday Morning Meditation”
and it was liked enough for some people asking me to go and publish it.
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As you may know, I run a weekly radio show at RadioSpiral, where I play some music from
our catalog and also, I play some live music. In the last few weeks I decided to do some
final improvisations, where I do away with the sequencers, maybe use an arp here and
there, but mostly, just my hands and exploring the notes available at my finger tips and
following the stream of consciousness as I play. I’ve then grabbed those recordings and
made an album, named Unquantized in a jab and reference to those acoustic concerts made
in the 90s called “Unplugged”.
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